An enjoyable lens when you want to show the world in a whole new way. This rectilinear fisheye gives you plenty of distortion to make your images stand out. Put this manual focus gem on your Fuji, turn on the shoot without lens setting, and get ready to have fun.

The widest prime lens you can get from Fuji. Small, lightweight, and sharp, this 12mm equivalent field of view is corrected so your lines remain straight. It's designed to take in as much of the scene as possible and enhance your shot's perspective.

It’s really wide, and it’s really sharp. The 18mm equivalent angle of view uniquely sees the world. Excellent choice for landscape, architecture, or anytime you want to force perspective.

If I were to choose one prime, it would be this one. A 24mm equivalent gives a great perspective without crazy distortion. Great for street photography, environmental portrait, andlandscape.

This little lens lives in my camera bag since it takes up so little space and is an essential focal length. It’s compact, super sharp, and has fast, quiet autofocus. With a focal length equivalent of 35mm, it’s perfect for storytelling, documentary, environmental portraiture, or street photography.

This is one of Fuji’s fast, compact, “budget” primes. It’s a low budget/high performance killer. It’s TINY, super sharp and has fast, quiet auto focus. With a focal length equivalent of 50mm it’s wonderful for portraiture.

This lens is an updated version of the classic and a must-have for a portrait photographer. Its f1.2 maximum aperture renders beautifully soft backgrounds without giving up any subject sharpness. Its narrower angle of view makes this lens a little less versatile than the 23 or the 35, but when you’re in its wheelhouse, there’s nothing quite like this lens.

Tack sharp, stabilized macro lens has a very effective autofocus system, which is almost unheard of in the macro world. Sure, it’s on the big side, but its 1:1 reproduction ratio and amazing Fuji optics make it an easy choice for anyone who likes macro.

Big, heavy, and irreplaceable! There’s nothing quite like a super wide lens if it suits your vision. Not petite by any means; this sucker is BIG but for those that love the perspective and flexibility it gives, it’s easy to justify.

If you find the 8-16 to be either too large or too restrictive, the 10-24 is an ideal alternative. It remains incredibly wide, but boasts additional features such as image stabilization and filter compatibility. It is undoubtedly a great choice!

If you're in the market for a fast, sharp, and weather-resistant zoom lens with a 24-70mm equivalent, then this option is worth considering. This is a pro-level zoom and is an excellent choice for your first 2.8 zoom lens purchase.

Fuji’s convenient one-lens solution covers 27-200mm without sacrificing much on image quality. It also comes equipped with Optical Image Stabilization (OIS) and weather resistance, making it the ideal one-lens solution when you want to travel light.

This lens covers the 70-200mm equivalent and does so with ruthlessly sharp optics, fast autofocus, OIS, and weather resistance. One of the bigger lenses from Fuji, but this pro-level zoom is one of the sharpest lenses Fuji makes.

A 107-450mm equivalent that won’t break your back or your bank account. Much lighter than the 50-140 and with similar sharpness and much more reach. If you’re looking for a long zoom that won’t break your back or the bank, this is it!

This bag is perfect for storing all my gear and laptop, and it conveniently fits in the cabin of any aircraft, even small regional jets where it can be stowed under the seat. This is my go-to bag when I'm traveling internationally on small planes and need to ensure that I can keep my bag with me.

This bag may not be suitable for small regional jets' overhead compartments, but it works well in larger planes' cabins. With its smooth rolling feature, you can bring everything you need for longer trips.

I have found the ideal backpack that comes with innovative dividers, comfortable straps, and clever side zips for easy access to my gear. I take this bag with me wherever I go and it has never failed me. It can accommodate more mirrorless gear than I could ever need for a trip, while also keeping everything comfortable and nicely organized.

If you're looking for a small and portable camera bag, this compact option is perfect. It can hold an X-T5 camera, 2-3 lenses, 3 batteries, and a phone. It's ideal for use in urban areas and hangs comfortably close to your body.

Keep your batteries, cords, portable hard drives, and other accessories organized, secure, and tidy.

Thin, lightweight, and comfortable. It’s easy to get on and off with its smooth gliding quick-adjusters and is designed to operate with just one finger. Great for a mirrorless setup.

The Oben CT-3586 is an excellent travel tripod that can fold down to 16 inches, making it easy to pack and carry. Despite being lightweight, it is durable enough to use even when you're not living out of a suitcase. It has a weight capacity of 26 lbs, making it suitable for small DSLR or mirrorless cameras. You can even unscrew one of the legs and convert it into a monopod.

A workhorse tripod. This thing is tall and is barely 4 lbs with the head attached. Sturdy yet light, it can easily go from a worm’s eye view (inches off the ground) if you remove the center column to standing height. The BE-139 head holds 38 lbs. and uses Arca-style plates(a must). It has a generic plate, but you can go to Really Right Stuff and get a custom-made plate for your camera.

The Robus RC-5558 legs are an unbelievable bargain. If you’re looking for a heavy-duty gold standard of tripods, save money on Gitzo and Really Right Stuff legs (which are twice the price) and get this. It’ll go from 4″ to 58″ in a snap and has a 10-year warranty. It’s heavier than the Oben legs, but it is rock solid, impeccably built, and will carry any load. Great for SLRs and big lenses. Perfect for a medium-format digital system.

The Robus RTH-1030 is crafted from aircraft-grade aluminum, making it both durable and lightweight. It is also reasonably priced. One great feature is the adjustable friction knob which prevents it from collapsing when loosened. If you're looking for a high-performance ball head, this one is a top pick - and the added bonus of being light and affordable is definitely a plus.

The MHG-XT5 is a great mounting plate and grip extension in one. It’s low profile, lightweight, and gives you a little something extra to hold on to.

The NiSi Macro Focusing Rail NM-180 with 360° Rotating Clamp reduces the frustrations of fine-tuning your focus without affecting your macro compositions. It’s very sturdy, well-built, and a joy to use. A macro must; don’t shoot close up without it!

OEM batteries cost too much! Watson batteries are only $29.95 vs. $70 for the Fuji brand. You get around the same life from the Watsons as you would from Fuji batteries, and they’re an absolute bargain. NOTE: THESE WILL FIT THE X-T5 and X-T4 but not earlier models!

Unfortunately, the Fuji X-T5 (and X-T4) does not come with a charger. You can charge your battery through your camera, but that’s a hassle. Instead, charge two batteries at once with Fuji’s handy dual charger.

Losing or breaking cable releases is a common issue. Fortunately, they are affordable at only $9 each, so replacing them won't break the bank.

If you tend to break cable releases or dislike dealing with small connectors, this device is the solution for you. It fits into your camera's hot shoe and enables you to remotely trigger your camera without the need for cables. This handy gadget is much easier to use than traditional cable releases.

If you need to take photos with long shutter speeds, this filter is perfect for you. By rotating the filter, you can block between 2 to 8 stops of light, which gives you more control over your shutter speeds. The filter is reasonably priced, sharp, and has less vignetting and color casts compared to more expensive options.

The B+W Kaesemann polarizers are outstanding. They are free from color casts and come with brass threads that prevent them from getting stuck on the front of your lens. Additionally, they are multicoated to enhance image quality.

Although 300mb/s speed may exceed the typical photographic requirements, it will undoubtedly provide quicker download speeds when importing images into Lightroom. Continuous shutter mode photographers will also benefit from faster write speeds and fewer buffer filling problems during burst mode. For Fuji's high-resolution sensors, SanDisk cards are my preferred choice, and I have never encountered a failure so far.